The power of story
As human beings, we are hardwired to apprehend the
world through stories.
Stories are how our memories are stored, how we put facts together.
Stories are always linked to primary emotions, always interconnected, hence our
tendency to apprehend the world through causality and our incapacity to accept
uncertainty and randomness.
Stories are what define us as
individuals and as people. Man’s search for meaning and the narrative process are
at the core of our psychology, but also the roots of every religion, culture etc.
As Reynold Price wrote“A need to
tell and hear stories is essential to the Homo sapiens--second in necessity
apparently after nourishment and before love and shelter. Millions survive
without love or home, almost none in silence; the opposite of silence leads
quickly to narrative, and the sound of story is the dominant sound of our
lives, from the small accounts of our day's events to the vast incommunicable
constructs of psychopaths."
Stories are essentially what make us human, what link patterns with
other patterns and give us that sense of perspective, give context to the text, connect the dots, and as such put order into chaos, turn noise into signals. Stories give
that sense of direction, that vision of
how the present situation will evolve in the future and ultimately what direct
our actions.
Therefore, if you want to
understand the direction of a stock, look no further than the respective power
of its story.
I am always amazed by how addictive stories can be and how very little
can be learned whilst hearing the anchorperson post justifying the latest
market move with the most spurious story of the day and within an historic
perspective never longer than two hours. One day, one can hear “the Dow Jones
Industrial fell by hundred points, as higher oil prices are weighing on
consumer sentiment”. The following day, “ the Dow Jones Industrial rose hundred
points, as rising oil prices drove oil stocks higher”. Same cause, opposite
effects…?
This is the noise investors have to deal with every single day. Noises as
the same cause driving opposite effects and other correlations between the size of
women’s dresses and pork belly futures. These stories do very little in terms of explaining
the intrinsic drivers of the trend or catalysts for change at work. Correlation
is not causation.Yet we listen, watch, pay attention and sometime even believe these stories revealed the truth.
As a matter of fact, who knows if there is a cause at all? For what I
know, the stock market has 55% chances of going up and 45% chances of going
down every single day, so not far from the odds of a coin flip. Aren’t we, as
Thaleb put it, just fooled by randomness?
Let’s not enter into this debate here, but just focus on the why. Why
do people feel like they need a cause and reason behind every market move?
Every parent knows that between the age of 3 and 6 their kids ask the
question “why?” again and again. Every
answer is an excuse to bounce back with the same question over and over again. Why? Why? Why?
The answers have to be credible, but do not have to be true. In fact,
most parents, when pushed to the boundaries of their knowledge of the universe or
unsure whether their kids can accept the sad disenchanted truth of our human
conditions, would make up any answer just for the sake of having their child
sleep well in the belief that the world is ruled by some kind of enchanted order
and everything around them has a cause.
Even if the order is magical, it seems more acceptable than the sadder
unemotional statistical truth that some things are what they are or happen
because they do and that the future is uncertain because we do not know
everything and that everything changes. The Bible or the story of an apple falling on Newton's head is far easier to tell and remember than recalling what happened to Schrodinger's cats or that the universe might be ruled by order
and power laws at a macro level, but ruled by chaos and
randomness at a micro level, even if that window of chaos might be the only shot we have at free will.
Like children, most investors
like to see a logical explanation behind every market move. They rarely accept
randomness. People want to believe that the future can be predicted that there is a meaning
and reasons behind every moves. No wonder therefore that economics, who has tried to
explain market movements with theories that gave only a partial explanation of
market behaviours with pseudo scientific theories earned the nickname of the dismal
science, echoing Mark Twain's famous quote:
“ there are three kinds of lies: lies, damn lies and
statistics”.
Markets are moved by e-motions not statistics. Emotions are what stick in our memory and attract actions. While every investment decision starts with an idea, we believe that to be actionable, the idea must have some emotional power. This emotional power is the power of story telling.
As Stalin once noted: „One
death might be tragedy, but a million deaths is a statistics“.
Clearly, you do not move
the crowd with statistics, but you can change the world with a good story.
A stock is indeed more than a
simple mathematical net present value function of statistical attributes, the
same way a luxury handbag is not just a leather bag, but the result of a long
history: what designers would call the brand DNA.
In his excellent book “Start with Why”, best selling author and
management consultant guru Simon Sinek discusses two essential processes of
information diffusion. As financial markets’ price discovery mechanisms are an
information diffusion/digestion process, it’s worth paying attention to how
people apprehend information and the knowledge gets diffused.
Sinek’s core argument is that story telling is the key to success in
business. Every great business starts with the core question of why. The same is true for a great equity story. It is not the what that matters most, but the why.
Nothing is more powerful to captivate the imagination of the crowd than
a good story. It is intoxicating and contagious. Every bubble found its
roots in a great story. Think of the internet bubble. At the beginning, it was
a new promising media, but the power of the story was such that it captured
investors’ imagination and changed the world for good. All the great stocks I
owned had a great story to tell/sell and possessed the emotional appeal that
grabbed the heart and the imagination of the crowd.
Finding great ideas starts with the story board. Such stories must have a certain coherence, a certain harmonics. The text can change, but the
context responds to a certain cyclical rhythm, the one that gathers momentum
and moves crescendo up to a certain climax when all the plot gets revealed for
everyone to say yes of course.There is nothing new under the sun and it pays to study the classics. This time is different are the four most expensive words.
There are essentially four types of stories. Man vs Man, Man vs
Himself, Man vs Nature or Man vs the Supernatural. It’s the conflict that makes
the story interesting, the same way it’s the battles that make the story
captivating. Moreover, there are always more than one sides to the story. All
stories are based on tensions/battles/conflicts and gradual dissemination of
clues and facts that help solve the puzzle eventually after a climax.
The law of information diffusion chart below is also useful tool. Whether you are marketing a fund or you are looking at stock prices, this shows that new ideas take time to diffuse. The majority herd and therefore contrarian/new ideas do take time to percolate. Early adopters may get it faster than the majority but the adoption of a story can take years if not decades before it becomes accepted as a new reality.
Stories are manipulative before being cognitive.
We must be careful not to fall victim of good story tellers. The narrative fallacy is how our brain works. Every word and opinions should be looked as a prejudice and every story as “Weapons of mass distraction”. It is important to distrust theorisers, opinion makers and prognosticators. Never accept quickly packaged explanations and be ready to accept randomness and luck/bad luck as a valid reason. For stories to work, they have to a foot in reality and foot in a greater future.
As an investor, the only thing that matters is the probable futures and their respective values. Each piece of the puzzle adds a clue that increases the chances of such and such scenario. The paradox here is that „You cannot connect the dot by looking forward, you can only look backward“. Therefore, by writing the story, you are effectively writing a scenario with many paths possible. As new information gets priced immediately, what is known is worthless. The key therefore is to know what is unknown in that story and get a sense of how the crowd will react emotionally when they will discover the truth, through nuendos,hints, clues etc.
This is the creative part of
investing, where there are many answers
to the same questions, where investing becomes a social act and is no longer
ruled not by the laws of laws of supply and demand but by the liberal arts.
Writing the equity story helps selecting the right
stock and even predict the future. It helps structure one’s thought process and
put numbers in a historic context. The best stories must be simple and reliable
and have that zest of newness.
As a value investor I look to purchase stocks
at wholesale price and sell at retail price. I look for bargains, but never
forget that I will eventually need to resell at a profit. In brief, I always
try to review my portfolio like a shopkeeper would like at its shelves. We buy
and sell stocks according to what investors may want to buy or sell in the
future. When we construct a portfolio, we always think of our stocks as goods
that we will eventually have to be sold. Of course, it is not just how much you
paid that matters, but how much you will be able to sell it at.
Recognising what makes a great story is key to become a good investor.
In fact, all of my heroes are not just great readers but also great story
tellers in their own right, as if the power of stories had given them the gift
to write their own story.
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